Designing for a responsible future

"I'm On Board" is like a never-ending metro ride not knowing where to step off. The whole collection is made by using deadstock fabrics, production waste or leftover materials.

‘HEIMAT’ pays homage to the coal mining region Ruhr Valley. As part of this tribute, it rethinks how we can  use forgotten or discarded resources to develop innovative, recycled garments.

A representation of the stages of paranoia created by the unsustainability and climate change. Deadstock, non-biodegradable & non-recyclable materials e.g. expired safety vests & billboards.

Fashion poses a threat in the form of manufacturing waste. This is an example of how to make zero-waste clothes. It presents the idea of a "right angle" cut allowing to minimize waste.

“Grief is fluid” is fashion without the use of plastic and is adjustable across sizes and gender. It’s developed in hemp, TENCELTM and ECOVEROTM , fused with fabric manipulation and botanical dyeing.

A reinterpretation of classic tailored menswear with boxing as the inspiration. Made-to-order. Mostly deadstock materials and minimization of waste created by mass production.

Raising awareness about our personalities - a call for questioning patterns and acting consciously by upcycling ”non-fashion” objects. Resources are everywhere.

Expressive and rebellious designs created by Ida Heick's inner nonbinary formal Punk. JUST LET ME FUCKING BE originates from a numb feeling that grew into a safe space for living and experimenting. 

This collection rebels against this new culture of perfection through underlying activistic elements. Imperfection is the true beauty and what makes every individual unique.

A concept that challenges the status quo on hyper feminine clothing with focus on prints & material manipulations. A made-to-order concept honoring slow fashion by only producing what has been ordered.

The collection’s styles include features, details, and large fits that support the inclusivity of different bodies and genders. Residual and waste materials are given new life in new fabrics.

Inspired by Dadaism, an anti-authoritarian and critical approach to art, mixed with a responsible approach to fashion. A collection with a different, but subtle expression made from deadstock.

How do we break the taboo and enlighten the problematics of domestic violence using clothing as an outlet? Here the UN’s global goal of gender equality has been my main focus.

Time is precious, time is money. Where did the time go?  This collection focuses on slowing down and worshipping slow fashion, quality and good old craftmanship.